TRANSFERRING THE BATTERY LANGUAGE FOR THE COMPOSITION PROCESS OF THREE AUTHORS
Compositional Procedures, Idiomatic transference, Drums.
This paper presentes the journey of the author on musical composition up to the
engagement on the Post Graduation course of Music on a Mastering degree, directed
to compositional techniques grounded on Silva (2010). The purpose of this paper is to
investigate possible applications of the idiomatic transference of drums to composition,
based on the resources given by the Schillinger System of Musical Composition. It
uses the Composition Model of Silva (2010), proposing the accompaniment of the
compositional proccess. It presents the Idiomatic Transference technique as a strategy
to the investment on the compositional proccess. It demonstrates the application of the
transference model of drum carachteristics to the composition grounded on Fedaghi
(2012), Barreto (2005), Smith (2012), Shenon and Weaver (1968). It engages on the
mapping of the idiomatic peculiarities of the drums according to Vasconcelos (2002),
Túlio (2005), Silva and Porto (2018). It proposes the presentation of the Idiomatic
Transference Model from the transference and flow of informations on the composition
based on the information transference model of Shanon and Weaver (1948) and
Fedaghi’s data flow (2012). It identifies the idiomatism as a resource applied on drums
and the composition through the Idiomatic Transference Model. It presents the
compositional memorial of the pieces Octopus I, Em ações e Octopus II. It comments
the results obtained and the possibilities on the proceding of the research.