INFLUENCE OF CHORO AND JAZZ IN A SET OF WORKS FOR VIOLÃO ONLY OF ANIBAL AUGUSTO SARDINHA, THE BOY
Garoto. Brazilian guitar.
The present work deals with the influence of chor and jazz in a set of works for guitar by Anibal Augusto Sardinha, Garoto (1915-1955), under the rhythmic, harmonic and interpretative aspects. The main objective was to search for choro and jazz characteristics from these parameters. We also present brief discussions about Garoto in the context of the popular Brazilian guitar school, contributions to Brazilian guitar and popular music. The theoretical contribution is based on interviews, studies and analysis of the works, as well as theoretical references that specifically address the cited composer guitarist such as: Antônio e Pereira (1982), Mello (2012), Junqueira (2010), Delneri ), among others. The results confirm the approximation of the work of Garoto with the choro and the jazz where the influence of the rhythmic and harmonic aspects in his work stands out. We conclude that the information presented corroborates the understanding of the composer 's work and the empirical practice of the popular Brazilian guitar player.