Banca de DEFESA: KENNYO SEVERA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
STUDENT : KENNYO SEVERA
DATE: 15/05/2025
TIME: 08:00
LOCAL: Google Meet
TITLE:

Conjuring corpus, sentencing delusions: an elliptical vision on scenic contours not viewed from the perspective of whiteness

KEY WORDS:

Performing Arts; Benzimento; Conjuration; Afromatizes; Indigenous knowledge; Imaginative-cartography; Neuromuscular flow.

 

PAGES: 138
BIG AREA: Lingüística, Letras e Artes
AREA: Artes
SUMMARY:

“Conjuring corpus, sentencing delusions: an elliptical view on scenic contours not viewed from the perspective of whiteness” reflects on contours and axial notions for the performing arts, such as time, space, body, memory and Art. Based on the observation that contemporary artists and thinkers of the Arts, such as Denise Ferreira da Silva, have been developing artistic and philosophical works that completely or partially abandon Eurocentric points of view on the words cited above, this research incorporates Afromatized and indigenous epistemic perspectives to formulate the reflective position of this dissertative text. From this critical review, a poetic and political position is developed and the importance of reactivating the conjuration contour is emphasized. To construct these hypotheses, a critical revisitation of the work of the writer Renato Cohen (2013) and his effort to write performance as language was elaborated. This dissertation will analyze the dramaturgies of Frantz Fanon (1925-1961) and will also reference the productions of contemporary non-white artists and authors who contributed to the Performing Arts and who tension the colonial linguistic and semantic parameters. Furthermore, the gestures that centrally support this research are the works “Esfriamento” and “Refluxo”, both of my authorship, carried out in 2023, in the transit between Natal/RN and Recife/PE. The methodological attitudes used in this dissertation are “Imaginative-cartography” and “Neuromuscular flow”, both in continuous elaboration that postulate the non-binarity and non-separation between theory and practice or ethics, aesthetics, politics and poetics in the doings of life and in its cultivation. Therefore, we announce that the first chapter of this dissertation takes place in the format of an “imaginative-cartography” and we emphasize that the “Neuromuscular flow” will be reflected in the second moment of this dissertation as an essayistic-performative-conjurative proposal, in order to investigate the possibility of presenting a theoretical text that proposes itself, tactically and simultaneously, as a work of Art.

COMMITTEE MEMBERS:
Externa à Instituição - FERNANDO MARQUES CAMARGO FERRAZ - UFBA
Interna - 2391773 - MONIZE OLIVEIRA MOURA
Presidente - ***.455.237-** - VICTOR HUGO NEVES DE OLIVEIRA - UFPB