Notebooks of Indigent Writings: Indigence as a site of Creation
Autoethnography, Appearances, Quilombo Body, Scenic practice.
indigence as a site of creation RESUMO EM INGLÊS: This dissertation investigates the construction of Inddiegente, a drag- kenga-Appearance that moves through the streets of Natal/RN, confronting hegemonic reality. The research, based on autoethnography (Fortin, 2009; Santos, Biancalana, 2017; Gama, 2022), is structured into six notebooks that discuss the Corpo Indigente, the trajectory of Corpa Inddiegente within Candomblé, Ritual Theater (Almeida, 2022; Haedershpek, 2021), and Appearance (Caridade, 2021; Amira, 2018), as well as its intersection as Quilombo-Body (Patrocínio, 2022) and Canvas-Body (Martins, 2021). The research highlights how the sociocultural context influences artistic practice, enabling the emergence of Corpo Inddiegente as a form of resistance.